The bust
pt. I. When the mode of the music changes. Music as a controlled substance
The modern framework
The crisis of configurability
pt. II. Drawing lines in the sand. Yes, but is it art?: the art/craft binary
Some kid in his bedroom: the artist/audience binary
Something borrowed, something new: the original/copy binary
Live from a hard drive: The composition/performance binary
Hooks and hearts: The figure/ground binary
"He plays dictaphones, and she plays bricks": the materials/tools binary
pt. III. The lessons: configurability and the new framework. Critique and co-optation
"Plus ça change" or paradigm shift?