Surrealist masculinities : gender anxiety and the aesthetics of post-World War I reconstruction in France / Amy Lyford.
2007
NX650.M296 L94 2007 (Mapit)
Available at General Collection
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Details
Title
Surrealist masculinities : gender anxiety and the aesthetics of post-World War I reconstruction in France / Amy Lyford.
Author
ISBN
9780520246409 (alk. paper)
0520246403 (alk. paper)
0520246403 (alk. paper)
Publication Details
Berkeley : University of California Press, c2007.
Language
English
Description
xiv, 237 p. : ill. ; 24 cm.
Call Number
NX650.M296 L94 2007
Dewey Decimal Classification
709.04/063
Summary
"Surrealist Masculinities offers a fresh exploration of how surrealist visual production was shaped by constructions of gender and sexuality, particularly masculinity, in the 1920s and early 1930s. Amy Lyford builds on feminist critical approaches to surrealism, which have by and large viewed the female body in surrealism as symptomatic of male misogyny; yet she also departs from such work by arguing that representations of an anxious, ambivalent, or perverse masculinity were integral to the movement's critique of France's "return to order" in the years following World War I. Featuring images that have never before been published, as well as new archival work on the origins and theory of surrealist visual production, this book analyzes surrealist work in relation to the history of surrealism and investigates how surrealist artists and writers appropriated contemporary medical science, advertising, and sexology in their quest to undermine the status quo." http://www.loc.gov/catdir/enhancements/fy0702/2006016240-d.html.
Bibliography, etc. Note
Includes bibliographical references and index.
Record Appears in
Table of Contents
Introduction
Anxiety and perversion in postwar Paris
The aesthetics of dismemberment
The advertisement of emasculation
Man Ray, Lee Miller, and the photography of surrealist sexuality
The lessons of Barbette
Conclusion: on masculinity and reconstruction.
Anxiety and perversion in postwar Paris
The aesthetics of dismemberment
The advertisement of emasculation
Man Ray, Lee Miller, and the photography of surrealist sexuality
The lessons of Barbette
Conclusion: on masculinity and reconstruction.