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Introduction
The Ingriste portrait as history
Ingres's studio and the subjects of art
Julie Mottez, Rome, and Ingriste myths of origin
Marie D'Agoult, the aesthetics of androgyny, and the apotheosis of Ingrisme
Ingres's studio between history and allegory : Rachel, antiquity, and tragedie
Conclusion.
The Ingriste portrait as history
Ingres's studio and the subjects of art
Julie Mottez, Rome, and Ingriste myths of origin
Marie D'Agoult, the aesthetics of androgyny, and the apotheosis of Ingrisme
Ingres's studio between history and allegory : Rachel, antiquity, and tragedie
Conclusion.