Women modernists and fascism [electronic resource] / Annalisa Zox-Weaver.
2011
NX180.F3 Z69 2011eb
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Title
Women modernists and fascism [electronic resource] / Annalisa Zox-Weaver.
Author
Zox-Weaver, Annalisa.
ISBN
9781139190893 (electronic bk.)
113919089X (electronic bk.)
9781107008526
1107008522
1139185993 (electronic bk.)
9781139185998 (electronic bk.)
113919089X (electronic bk.)
9781107008526
1107008522
1139185993 (electronic bk.)
9781139185998 (electronic bk.)
Publication Details
Cambridge ; New York : Cambridge University Press, 2011.
Language
English
Description
1 online resource (x, 236 p.) : ill.
Item Number
9786613384096
Call Number
NX180.F3 Z69 2011eb
Alternate Call Number
LIT004120
Dewey Decimal Classification
700.1/03
Summary
"Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation"-- Provided by publisher.
Bibliography, etc. Note
Includes bibliographical references and index.
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Access limited to authorized users.
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Description based on print version record.
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Women modernists and fascism.
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Table of Contents
Introduction: occupations
1. In her image: Leni Riefenstahl's cinematic Hitler
2. Stein's secret sharers: great men and modernist authority
3. 'A face inappropriate to fame': Janet Flanner, the 'Fuhrer' profiles, and the image of the fascist leader
4. Berchtesgaden is burning: Lee Miller, iconicity, and the demise of the Nazi leader
Conclusion: from monster to muse
Bibliography
Index.
1. In her image: Leni Riefenstahl's cinematic Hitler
2. Stein's secret sharers: great men and modernist authority
3. 'A face inappropriate to fame': Janet Flanner, the 'Fuhrer' profiles, and the image of the fascist leader
4. Berchtesgaden is burning: Lee Miller, iconicity, and the demise of the Nazi leader
Conclusion: from monster to muse
Bibliography
Index.