Philosophy of art : aesthetic theory and practice / David Boersema, Pacific University.
Boersema, David.
2013
BH39 .B616 2013 (Mapit)
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Title Philosophy of art : aesthetic theory and practice / David Boersema, Pacific University.
Author Boersema, David.
ISBN 9780813347196 (pbk.)
081334719X (pbk.)
Publication Details Boulder, CO : Westview Press, c2013.
Language English
Description xi, 360 pages : illustrations ; 23 cm
Call Number BH39 .B616 2013
Dewey Decimal Classification 111/.85
Summary " With the sustained, coherent perspective of an authored text and the diverse, authoritative views typical of an anthology, Philosophy of Art: Aesthetic Theory and Practice by David Boersema provides the context and commentary students need to comprehend the various issues in philosophy of art. Throughout the book, issues are examined using the lenses of the three broad areas of philosophy: metaphysics, epistemology, and value theory. That is, concerns are raised about what is expressed, how it is expressed, and why it is expressed. Chapters on the artist, the audience, and the artwork further break down the discipline and are applied to the final chapters on the specific types of art. The differences between art and science as well as the relationship of art and society provide a refreshing discussion of overlooked areas in philosophy of art"--Cover.
Bibliography, etc. Note Includes bibliographical references and index.
Record Appears in On-Campus Resources > Books
All Resources
ch.1 Introduction ot the Philosophy of Art
What is philosophy?
Philosophy of art and aesthetics
Preview of upcoming chapters
ch. 2 Naure of Art
Defining art
Antiessentilism
Morris Weitz, "The Role of Theory in Aesthetics"
Redfining art
Jerrold Levinson, "Defining Art Historically"
Art and experience
John Dewey, selectrions from Art as Experinece
ch.3 Artwork
Uniqueness of art
Joseph Margolis, "The Ontologival Peculiarity of Works of Art"
Artworks and aesthetics
Frank Sibley, "Aesthetic Concepts"
Form versus contenet or context
Clive Bell, "Art and significan tform"
ch. 4 Artisit
Intention
Representation
E. H. Gombrich, "Truth and the Stereotype"
Expression
R. G. Collingwood, selections from Principles of Art
Change
Anne Bogart, introduction to And Then, You Act
ch. 5 Audience
Daniel E. W. Fenner, "Aesthetic Expreience and Aesthetic Analysis"
Asethetic interpretation
Richard Wollheim, "Criticism as Retrieval"
Aesthetic Criticism
Monroe C. Beardsley, "The Classification of Critical Reasons"
ch. 6 Relationships Between Art and Society: Ethics, Education, Culture
Art and Values
Berys Gaut, "The Ethical Criticism of Art"
Aesthetics (and) Education
Maxine Greene, "The Artistic-Aesthetic Curriculum"
Aesthetics and Culture
Clifford Geertz, "Art as a Cultural System"
ch. 7 Relationships Between Art and Science: Method, Understanding, Knowledge
Relations of Art and Science
Howard Gardner, selections from The Arts and Human Development
Art, Science, and Understanding
Nelson Goodman, "Art and the Understanding"
Art and Knowledge
John W. Bender, "Art as a Source of Knowledge"
ch. 8 Performing Arts
Dance
Francis Sparshott, "The Identity of a Dance"
Theater
David Z. Saltz, "How to Do Things on Stage"
Music


Contents note continued: Peter Kivy, "The Other Authenticity"
ch. 9 Visual Arts
Painting
Clement Greenberg, "Modernist Painting"
Photography
Kendall L. Walton, "Transparent Pictures"
Architecture
Roger Scruton, "The Problem of Architecture"
ch. 10 Literary Arts
Fiction
Christopher New, "Fiction"
Poetry
Harvey Gross, "Prosody as Rhythmic Cognition"
Creative Nonfiction
Robert L. Root Jr. and Michael Steinberg, "Creative Nonfiction, the Fourth Genre".

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