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Performance effects. Introduction: materializing the immaterial
Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea
Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost
Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy
Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth
Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.

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