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Table of Contents
Foreword / by Paolo Cherchi Usai
Introduction
The colors of modernity
Hand coloring and the intermediality of the cinema
Transformation and uplift: stenciling, tinting, and toning
Color cinema, from gentility to abstraction
Conclusion.
Introduction
The colors of modernity
Hand coloring and the intermediality of the cinema
Transformation and uplift: stenciling, tinting, and toning
Color cinema, from gentility to abstraction
Conclusion.