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Table of Contents
Machine generated contents note: Acknowledgments
Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson
Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and
Narrative Ambiguity in Hard Eight (1996)
Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997)
Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999)
Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002)
Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007)
Afterword. On The Master
Notes
Select Bibliography
Index.
Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson
Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and
Narrative Ambiguity in Hard Eight (1996)
Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997)
Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999)
Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002)
Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007)
Afterword. On The Master
Notes
Select Bibliography
Index.