Linked e-resources
Details
Table of Contents
Introduction: embodying cinema
Performing body, performing image: race and the boundaries of early cinematic narrative
Face, race, and screen: close-ups and the transition to the feature film
Recasting shadows: race, image, and audience
"Cinema at its source": synchronizing race and sound in the early talkies
Conclusion: red, white, and blue: digital cinema, race, and avatar.
Performing body, performing image: race and the boundaries of early cinematic narrative
Face, race, and screen: close-ups and the transition to the feature film
Recasting shadows: race, image, and audience
"Cinema at its source": synchronizing race and sound in the early talkies
Conclusion: red, white, and blue: digital cinema, race, and avatar.