Roland Barthes' cinema [electronic resource] / Philip Watts ; manuscript edited from the author's unfinished chapters, Dudley Andrew [and three others].
Watts, Philip, 1961-2013 author.; Andrew, Dudley, 1945- editor.; Barthes, Roland. Essays. Selections. English.
2016
PN1998.3.B3748 W38 2016eb
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Title Roland Barthes' cinema [electronic resource] / Philip Watts ; manuscript edited from the author's unfinished chapters, Dudley Andrew [and three others].
Author Watts, Philip, 1961-2013 author.
ISBN 9780190277574 (electronic book)
DOI https://doi.org/10.1093/acprof:oso/9780190277543
Published New York, NY : Oxford University Press, 2016.
Language English
Description 1 online resource (xxviii, 185 pages)
Other Standard Identifiers 10.1093/acprof:oso/9780190277543 doi
Call Number PN1998.3.B3748 W38 2016eb
Dewey Decimal Classification 791.43092
Summary 'Roland Barthes' Cinema' re-examines and recontextualizes the competing critical and theoretical strands in Barthes's thinking, and reassesses the relevance of his work for a new generation of readers and filmgoers.
Note 'Roland Barthes' Cinema' re-examines and recontextualizes the competing critical and theoretical strands in Barthes's thinking, and reassesses the relevance of his work for a new generation of readers and filmgoers.
Bibliography, etc. Note Includes bibliographical references and index.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Added Author Andrew, Dudley, 1945- editor.
Barthes, Roland. Essays. Selections. English.
Available in Other Form Roland Barthes' cinema.
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Editor's preface
Introduction
A degraded spectacle. The interpreter and the sensualist
Roman hair
A Cold War cinema
Demystification, 1957 "The face of Garbo"
Rrefresh the perception of the world. "On cinemascope"; Barthes and the New Wave
Barthes and Bazin. Lost continent; From ontology to rhetoric and back; Camera Lucida
Another revolution. The fetishist; Eisenstein, 1970; Coda: From leftocracy to affect and intimacy
Leaving the movie theater. The science of filmology; Apparatus theory; The aestheticization of the World; A long conversation with Christian Metz; Leaving theory
The melodramatic imagination. The Brontë sisters; The New Wave's melodramatic turn
Michel Foucault's melodramatic imagination; Barthes and Foucault
Barthes and Truffaut: Melodramatic photography; Conclusion: From Barthes to Rancière
Interview with Jacques Rancière
Nine texts on the cinema by Roland Barthes: Angels of sin (Les anges du péché, 1943)
On CinemaScope
Versailles and its accounts
Cinema, right and left
On left wing criticism
Traumatic units in cinema: research principles
Preface to Les inconnus de la terre (Strangers of the Earth, Mario Ruspoli, 1961)
Answer to a Question about James Bond
Sade
Pasolini
Notes
Bibliography
Index.

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