Hesitant Histories on the Romanian Screen / by László Strausz.
Strausz, László. author.
2017
PN1992.63
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Title Hesitant Histories on the Romanian Screen / by László Strausz.
Author Strausz, László. author.
ISBN 9783319552729
3319552724
DOI https://doi.org/10.1007/978-3-319-55272-9
Published Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Language English
Description 1 online resource (viii, 257 pages) : illustrations.
Item Number 10.1007/978-3-319-55272-9 doi
Call Number PN1992.63
Dewey Decimal Classification 791.4309498
Summary This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.
Access Note Access limited to authorized users.
Digital File Characteristics text file PDF
Available in Other Form Print version: 9783319552712
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1. Introduction
2. Hesitation as an interpretive strategy
3. Modernism under construction: films on filmmaking in the Ceaușescu years
4. Television as a factory of history: the broadcast of the 1989 Romanian Revolution
5. Contesting the canon of the past: state socialism and the regime change in the new Romanian cinema
6. Outcasts, fugitives and migrants: mobility and social production of space
7. Sanatorium Romania: regulating the body in the hospital, the prison and the convent
8. The crisis of masculinity in post-socialist society
9. Epilogue: authorial films and genres, festivals and audiences. .

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