Intro; Acknowledgements; Contents; Chapter 1 Introduction; Turkish German Cinema Since the 1990s; The Spatial Turn; Postrepresentational Film Philosophy and the Ethics of Change; Overview; Bibliography; Part I The Berlin School and Turkish German Cinema; Chapter 2 Thomas Arslanâ#x80;#x99;s Berlin Trilogy; An Ethics of Individuation: Geschwister (1997); Ethics Versus Morality; Differential Subjectivities: Dealer (1999); Beyond Movement: Der Schöne Tag; Subjectivity Production as a Process; Bibliography; Chapter 3 Christian Petzoldâ#x80;#x99;s Jerichow (2009); The Aesthetic Economy of the Virtual

Chapter 6 Postrepresentationalism as a Political Strategy: Aysun Bademsoyâ#x80;#x99;s Am Rand der Städte/On the Outskirts (2006) and Ehre/Honour (2011)On the Outskirts; Ehre; Postrepresentationalism; Bibliography; Chapter 7 Machinic Semiotics: Harun Farockiâ#x80;#x99;s Aufstellung/In-Formation (2005); The Im/Perceptible, the Visible and the Articulable; In-Formation; Images and Words; Powers of the Fragment; Bibliography; Part III Social Realism; Chapter 8 Viewing Against the Grain: Feo Aladagâ#x80;#x99;s Die Fremde/When We Leave (2010); The Time-Image and Break from Representationalism

Affectability, Cliché and the Crystallisation of NarrativesMolar Organisation and Reterritorialisation of the Narrative Lines; Bibliography; Chapter 9 Queering the Ethics of Migration: Yüksel Yavuzâ#x80;#x99;s Kleine Freiheit/A Little Bit of Freedom (2003); Queer Ethics; A Little Bit of Freedom; Representation and Affect; The Ethical Turn in the Social Realist Cinema of Europe; Queering Representational Politics; Bibliography; Chapter 10 Conclusion; Bibliography; Bibliography; Index