Linked e-resources
Details
Table of Contents
Cover page; Halftitle page; Series page; Title page; Copyright page; CONTENTS; ILLUSTRATIONS; LIST OF CONTRIBUTORS; ACKNOWLEDGEMENTS; NOTE ON THE TEXT; LIST OF ABBREVIATIONS; Introduction: Shakespeare and the 'Live' Theatre Broadcast Experience; Shakespeare and the 'Live' Theatre Broadcast Experience: a road-map; Notes; References; PART ONE Wide Angle; 1 The Remains of the Stage: Revivifying Shakespearean Theatre on Screen, 1964-2016; 'Actual performance' on screen in the 1960s; 'Not film sets, not stage sets': the National Theatre's studio Othello
In-house at the Roundhouse: Richardson's HamletLive theatre broadcast as commemoration and celebration; 50 Years on Stage and Shakespeare Live!; Conclusion; Notes; References; 2 Shakespeare's New Marketplace: The Places of Event Cinema; New technologies and the promise of access; NTLive and Shakespeare; Insider knowledge and added value; More Shakespeare, bigger markets; Notes; References; 3 The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience; Aliveness; At the cinema: Kenneth Branagh Theatre Company's Romeo and Juliet
At home: Shakespeare's Globe's A Midsummer Night's DreamNotes; References; 4 Understanding 'New' Encounters with Shakespeare: Hybrid Media and Emerging Audience Behaviours; Headphones in the cinema: an audio-commentary of Coriolanus; Watching live online: Complete Works: Table Top Shakespeare; Engaging with Shakespeare: performing participation; Notes; References; PART TWO In the Theatre; 5 A View from the Stage: Interviews with Performers; Notes; References; 6 A View from the Stalls: The Audience's Experience in the Theatre During the RSC Live from Stratford-upon-von Broadcasts; References
PART THREE Close-ups7 South Bank Shakespeare Goes Global: Broadcasting from Shakespeare's Globe and the National Theatre; Shared affect and the creation of spaces; The National Theatre as a space: illusionist Shakespeare for NTLive; Shakespeare's Globe as a place: presentational broadcasting; Coda: South Bank Shakespeares converge; Acknowledgements; Notes; References; 8 The Stratford Festival of Canada: Mental Tricks and Archival Documents in the Age of NTLive; Stratford Festival HD; Live transmission and archival records; Notes; References
9 Talawa and Black Theatre Live: 'Creating the Ira Aldridges That Are Remembered'
Live Theatre Broadcast and the Historical RecordTalawa Theatre Company and Black Theatre Live; Talawa's King Lear and Black Theatre Live's Hamlet; Creating a record with live broadcast; Notes; References; 10 Cheek by Jowl: Reframing Complicity in Web-Streams of Measure for Measure; Renegotiating liveness; Framing empty space; Framing the subject; Framing complicity; Notes; References; PART FOUR Reaction Shots; 11 The Curious Incident of Shakespeare Fans in NTLive: Public Screenings and Fan Culture in Japan
In-house at the Roundhouse: Richardson's HamletLive theatre broadcast as commemoration and celebration; 50 Years on Stage and Shakespeare Live!; Conclusion; Notes; References; 2 Shakespeare's New Marketplace: The Places of Event Cinema; New technologies and the promise of access; NTLive and Shakespeare; Insider knowledge and added value; More Shakespeare, bigger markets; Notes; References; 3 The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience; Aliveness; At the cinema: Kenneth Branagh Theatre Company's Romeo and Juliet
At home: Shakespeare's Globe's A Midsummer Night's DreamNotes; References; 4 Understanding 'New' Encounters with Shakespeare: Hybrid Media and Emerging Audience Behaviours; Headphones in the cinema: an audio-commentary of Coriolanus; Watching live online: Complete Works: Table Top Shakespeare; Engaging with Shakespeare: performing participation; Notes; References; PART TWO In the Theatre; 5 A View from the Stage: Interviews with Performers; Notes; References; 6 A View from the Stalls: The Audience's Experience in the Theatre During the RSC Live from Stratford-upon-von Broadcasts; References
PART THREE Close-ups7 South Bank Shakespeare Goes Global: Broadcasting from Shakespeare's Globe and the National Theatre; Shared affect and the creation of spaces; The National Theatre as a space: illusionist Shakespeare for NTLive; Shakespeare's Globe as a place: presentational broadcasting; Coda: South Bank Shakespeares converge; Acknowledgements; Notes; References; 8 The Stratford Festival of Canada: Mental Tricks and Archival Documents in the Age of NTLive; Stratford Festival HD; Live transmission and archival records; Notes; References
9 Talawa and Black Theatre Live: 'Creating the Ira Aldridges That Are Remembered'
Live Theatre Broadcast and the Historical RecordTalawa Theatre Company and Black Theatre Live; Talawa's King Lear and Black Theatre Live's Hamlet; Creating a record with live broadcast; Notes; References; 10 Cheek by Jowl: Reframing Complicity in Web-Streams of Measure for Measure; Renegotiating liveness; Framing empty space; Framing the subject; Framing complicity; Notes; References; PART FOUR Reaction Shots; 11 The Curious Incident of Shakespeare Fans in NTLive: Public Screenings and Fan Culture in Japan