The Palgrave handbook of the philosophy of film and motion pictures / Noël Carroll, Laura T. Di Summa, Shawn Loht, editors.
Carroll, Noël, 1947- editor.; Di Summa, Laura T., editor.; Loht, Shawn, editor.
2019
PN1995 .P35 2019
Available Online

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Title The Palgrave handbook of the philosophy of film and motion pictures / Noël Carroll, Laura T. Di Summa, Shawn Loht, editors.
ISBN 9783030196011 (electronic book)
3030196011 (electronic book)
9783030196004
Published Cham, Switzerland : Palgrave Macmillan, [2019]
Language English
Description 1 online resource (xxvi, 1061 pages)
Other Standard Identifiers 10.1007/978-3-030-19
Call Number PN1995 .P35 2019
Dewey Decimal Classification 791.4301
111.85
Summary This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film mediums intersection with contemporary social issues, films kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
Bibliography, etc. Note Includes bibliographical references and index.
Access Note Access limited to authorized users.
Source of Description Description based on online resource; title from digital title page (viewed on November 08, 2019).
Added Author Carroll, Noël, 1947- editor.
Di Summa, Laura T., editor.
Loht, Shawn, editor.
Available in Other Form Print version: 9783030196004
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1.Frank Boardman
Film Ontology: Extension, Criteria, and Candidates
2. Noël Carroll
Medium Specificity
3. Nick Wiltsher and Aaron Meskin- The Moving Image
4. Patrick Keating
The Art of Cinematography
5. Angela Curran
Silly Questions and Arguments for the Implicit, Cinematic Narrator
6. Patrick Keating
Narrative and the Moving Image
7. Karen Pearlman
On Rhythm in Film Editing
8. David Davies
Animation
9. Paloma Atencia-Linares
Sound in Film
10. Ted Nannicelli
What is a Screenplay?
11. Richard Eldridge
Analytic Philosophy of Film (Contrasted with Continental Film Theory)
12. John Ó Maoilearca
When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy
13. Shawn Loht
The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures
14. Espen Hammer
Ideology and Experience: The Legacy of Critical Theory
15. Paul Guyer
Stanley Cavell: What Becomes of People on Film?
16. Deborah Knight
Film Art from the Analytic Perspective
17. Carl Plantinga
Cognitive Theory of the Moving Image
18. Andrew Klevan
Aesthetic Criticism
19. Robert Sinnerbrink
Poststructuralism and Film
20. Eva M. Dadlez
Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments
21. Thomas E. Wartenberg
Contemporary Philosophical Filmmaking
22. Robert Sinnerbrink
Filmosophy/Film as Philosophy
23. Douglas Lackey
The Auteur Theory in the Age of the Mini-Series
24. Tom Gunning
The Question of Poetic Cinema
25. Malcolm Turvey
Avant-garde Film as Philosophy
26. Vitor Moura
Show and Tell: The identification of documentary film
27. Laura T. Di Summa
The Autobiographical Documentary
28. Zoë Cunliffe
Feminist Philosophy of Film
29. Lewis R. Gordon- Race in Film
30. David A. Gerstner
How Do We Look So Far? Notes Towa rd a Queer-Film Philosophy
31. Jacob M. Held
Film, Art, and Pornography
32. Sheryl Tuttle Ross
Propaganda and the Moving Image
33. Kristin Boyce
Film and Fine Art: Automatism, Automata and "The Myth of Total Cinema" in The Red Shoes and Tales of Hoffmann
34. John Dyck
The Sonic Art of Film and the Sonic Arts in Film
35. Garry L. Hagberg
Adaptation, Translation, and Philosophical Investigation in Adaptation
36. Jonathan Gilmore
Imagination and Film
37. Daniel Jerónimo Tobón- Empathy and Sympathy: Two Contemporary Models of Character Engagement
38. Jesse J. Prinz
Affect and Motion Pictures
39. Nick Pappas
Psychoanalysis and the Philosophy of Film
40. Ted Nannicelli
The Television Medium
41. Jon Robson and Aaron Meskin
Video games and Film
42. Gal Raz
Virtual Reality as an Emerging Art Medium and its Immersive Affordances.

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