1. History, the Collective, and the Individual
2. The Renaissance Man
3. The Palissystes
4. The Salt Renaissance
5. Prose and Poetry
6. The Nature of Slip
7. Configuring Life
8. The Arrival of America
9. Conclusion: The Ingredients of Modernity CHAPTER 7: THE ACCELERATION OF STYLE AND THE ARRIVAL OF THE MODERN
1. Decoration, Complication, and Anxiety
2. The Last Transformer: Another Modernity
3. Institutionalisation
4. Exhibitions
5. Ugliness and the Era
6. The Invention of Style
7. Design Reform and the Ingredients of Modern Design
8. The Meaning of Majolica
9. The Vortex of Large-scale Production
10. The Republic of Tile
11. Ceramic Hell
12. Gender
13. Exoticism
14. The Designer
15. The Art Nouveau style
16. Conclusion: High Eclecticism to Art Nouveau CHAPTER 8: THE STUDIO ARRIVES
1. A Modern Place
2. Art Pottery
3. Defining Art
4. The Invention of Craft
5. The Completeness of Existence
6. The Artist-potter
7. Émigrš
8. Art Deco
9. The International Style
10. Mid-century Modern
11. Potters and Painters
12. Conclusion: A World is Formed CHAPTER 9: THE CREATIVE EXPLOSION
1. Thunderous Emotion
2. Another Modernity
3. The World of Funk
4. Conceptualism and Minimalism
5. A New Arena
6. New American Symbolism
7. The Ceramic Landscape
8. Abstract Vessels
9. Postmodernism
10. The New Ornamentalism
11. Conclusion: The Potter Now Postscript: Attica to California Notes Bibliography Index About the Author.

Acknowledgements Prologue: A History in Shards CHAPTER
1. WHAT CERAMIC IS
1. Fundamentals
2. Stuff of the Earth
3. The Art of Heat
4. The Potter
5. Nomenclature and Culture
6. The Ceramic Continuum
7. Transformers: Classicism, Islam, China, and the Modern
8. The Discipline
9. Industry and the Levels of Production
10. Ubiquity: The Plastic of the Ancient World
11. Telling Stories
12. Civilisation, Power, and Domestic Life
13. Conclusion: Western Ceramic CHAPTER 2: THE VALUE OF THE GREEK POTTER
1. The World in Black and Red
2. Positioning the Pots
3. The Earlier Greek World
4. Reducing Iron and Oxygen
5. Who Were These People?
6. Secular Life
7. Anachronism, the Value, and the Price of Things
8. The Value and the Price of Things
9. Conclusion: The Spread of Red and Black CHAPTER 3: ROME AND THE ARRIVAL OF THE MEDIEVAL WORLD
1. The Feel of Roman Pots
2. Red Gloss
3. The Pots of Empire
4. Greece, Rome, and the Classical Idea
5. Standardisation
6. Dark, Light, an End and a Beginning
7. Europe: The Coarse and the Local
8. Revivalism and the Vernacular
9. Conclusion: The Classical Heritage CHAPTER 4: RENAISSANCES OF TIN
1. The Chemistry of Islam
2. Islam and Ceramic History
3. The Pottery Revolution
4. Islam in Europe
5. Renaissance Pots
6. Colour, Line and Life
7. Secular Life
8. Pottery and Painting
9. Quantity, Quality, and Status
10. The Arrival of the Meal
11. Sculptural Form
12. Italian Potters and Potteries
13. Renaissances
14. Conclusion: a European Ethos CHAPTER 5: THE ENLIGHTENED REIGN OF WHITE
1. Chinese Pots
2. Technology, Style, Confidence
3. Porcelain City
4. China in Europe
5. The Quest for a European Porcelain
6. The Porcelain Explosion
7. Blue, White, War, and Peace
8. Delftware
9. Frivolity and Melancholy: the Figurine Reinvented
10. The Rise of Staffordshire
11. Conclusion: Modern Whiteness CHAPTER 6: THE NATURAL AND THE INDIVIDUAL: LEAD, SLIP, STONE, SALT.