Kinaesthesia and visual self-reflection in contemporary dance / Shantel Ehrenberg.
Ehrenberg, Shantel, author.
2021
GV1783 .E47 2021
Available Online

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Title
Kinaesthesia and visual self-reflection in contemporary dance / Shantel Ehrenberg.
Author
Ehrenberg, Shantel, author.
ISBN
9783030734039 (electronic bk.)
303073403X (electronic bk.)
9783030734022
3030734021
DOI
https://doi.org/10.1007/978-3-030-73403-9
Published
Cham : Palgrave Macmillan, [2021]
Copyright
©2021
Language
English
Description
1 online resource
Item Number
10.1007/978-3-030-73403-9 doi
Call Number
GV1783 .E47 2021
Dewey Decimal Classification
792.8
Summary
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a kinaesthetic mode of attention leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesias historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies. Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education.
Note
Includes index.
Access Note
Access limited to authorized users.
Source of Description
Online resource; title from PDF title page (SpringerLink, viewed August 25, 2021).
Series
Cognitive studies in literature and performance.
Available in Other Form
KINAESTHESIA AND VISUAL SELF-REFLECTION IN CONTEMPORARY DANCE.
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1. Chapter 1: Introducing, situating, positioning(s)- Chapter 2: Illuminating dancers kinaesthetic experience
Chapter 3: A Kinaesthetic Mode of Attention
Chapter 4: Practices and values which develop and nurture a kinaesthetic mode of attention
Chapter 5: Kinaesthesia and video self-image(s): foregrounding the imagination
Chapter 6 Concluding Diffractions Diffracting Conclusions.

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