Cinepoetry : Imaginary Cinemas in French Poetry / Christophe Wall-Romana.
Wall-Romana, Christophe, author.
2013
PQ443 .W35 2013
Available Online

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Title Cinepoetry : Imaginary Cinemas in French Poetry / Christophe Wall-Romana.
Author Wall-Romana, Christophe, author.
ISBN 9780823245512
DOI https://doi.org/10.1515/9780823245512
Published New York, NY : Fordham University Press, [2013]
Copyright ©2013
Language English
Language Note In English.
Description 1 online resource (504 p.) : 51 Black & White and Color Illustrations
Other Standard Identifiers 10.1515/9780823245512 doi
Call Number PQ443 .W35 2013
Dewey Decimal Classification 841/.91209357
Summary Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
Access Note Access limited to authorized users.
System Details Note Mode of access: Internet via World Wide Web.
Digital File Characteristics text file PDF
Source of Description Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
Series Verbal Arts: Studies in Poetics
In Fordham University Press Complete eBook-Package Pre-2014
Fordham University Press eBook-Package Backlist 2000-2013
Linked Resources Online Access
Record Appears in Online Resources > Ebooks
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Frontmatter
Contents
List of Illustrations
Acknowledgments
List of Abbreviations
Introduction: Cinema as Imaginary Medium in French Poetry
Part One. The Early Poetic Sensorium of the Apparatus
1. Mallarmé Unfolds the Cinématographe
2. The Pen-Camera: Raymond Roussel's Freeze-Frame Panorama
3. Le Film surnaturel: Cocteau's Immersive Writing
Part Two. Telepresence of the Marvelous: Cinepoetic Theories in the 1920s
4. Jean Epstein's Invention of Cinepoetry
5. Breton's Surrealism, or How to Sublimate Cinepoetry
6. Doing Filmic Things with Words: On Chaplin
Part Three. Cinepoetry and Postwar Trauma Cultures
7. The Poem-Scenario in the Interwar (1917-1928)
8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946-1959)
Part Four. Cinema's Print Culture in Poetry
9. Postlyricism and the Movie Program: From Jarry to Alferi
10. Cine-Verse: Decoupage Poetics and Filmic Implicature
Part Five. Skin, Screen, Page: Cinepoetry's Historical Imaginary
11. Max Jeanne's Western: Eschatological Sarcasm in the Postcolony
12. Maurice Roche's Compact: Word-Tracks and the Body Apparatus
13. Nelly Kaplan's Le Collier de ptyx: Mallarmé as Political McGuffin
Conclusion: The Film to Come in Contemporary Poetry
Notes
Bibliography
Index

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