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Table of Contents
1. Introduction: Rural Cinema Exhibition and Audiences in a Global Context
Not Just a Slower Transition to Modernity
Part I Space, Place and Cinema-Going Experiences
2. The Use of Geographical Categories in Cinema Studies: An Ontological Examination
3. Kanda's Grounds and the Ritual Experience of Rural Cinema in Narok
4. The Business of 'Wholesome Entertainment': The Mascioli Film Circuit of Northeastern Ontario
Part II Early Cinema, Itinerant Showmen and the Lure of Modernity
5. Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada
6. Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire's North Country, 1896-1917
Part III Oral Histories and the Social Experience of Rural Cinema-Going
7. Oral Memories of Cinema-Going in Rural Italy of the 1950s
8. Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp
9. The Social Experience of Going to the Movies in the 1930s-1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas
10. The Social Geography of 'Going Out': Teenagers and Community Cinema in Rural Australia
Part IV Shaping Cinema Audiences for Educational and Ideological Purposes
11. Projecting Modernity: Sol Plaatje's Touring Cinema Exhibition in 1920s South Africa
12. Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of 'Pathé-Rural' in Interwar France
13. UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s
14. Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949-1956
15. Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s
Part V Film Programming Strategies, Exhibition Practices and Reception
16. Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934-1936
17. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation
18. Youth, Leisure, and Modernity in the film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema
19. Cine CentÃmetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside.
Not Just a Slower Transition to Modernity
Part I Space, Place and Cinema-Going Experiences
2. The Use of Geographical Categories in Cinema Studies: An Ontological Examination
3. Kanda's Grounds and the Ritual Experience of Rural Cinema in Narok
4. The Business of 'Wholesome Entertainment': The Mascioli Film Circuit of Northeastern Ontario
Part II Early Cinema, Itinerant Showmen and the Lure of Modernity
5. Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada
6. Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire's North Country, 1896-1917
Part III Oral Histories and the Social Experience of Rural Cinema-Going
7. Oral Memories of Cinema-Going in Rural Italy of the 1950s
8. Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp
9. The Social Experience of Going to the Movies in the 1930s-1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas
10. The Social Geography of 'Going Out': Teenagers and Community Cinema in Rural Australia
Part IV Shaping Cinema Audiences for Educational and Ideological Purposes
11. Projecting Modernity: Sol Plaatje's Touring Cinema Exhibition in 1920s South Africa
12. Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of 'Pathé-Rural' in Interwar France
13. UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s
14. Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949-1956
15. Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s
Part V Film Programming Strategies, Exhibition Practices and Reception
16. Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934-1936
17. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation
18. Youth, Leisure, and Modernity in the film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema
19. Cine CentÃmetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside.